Intelecron Motion Detector

Free Painting

Course III - Advanced
in spring 2o1o
for all participants is of course I & II

Genitial Herpes Effects On The Heart

care of leather riding boots

riding boots for sports use are subject to very strong stress. First, mechanical stress, eg the go and knead the ride, which rub against the saddle and horse, on the other they are simultaneously exposed to the sweat of the horse and rider.

same time, the riding boots are very comfortable to wear (for example, be breathable and Elsat), be water repellent and keep long course.

What do I need to choose the care and attention to my riding boots to give you a long life with high wearing comfort?

Proper riding boots must fit

The most important of all: The Riding boots must fit well from the start! If the boots too far, your foot does not stop and the boot "traipsing" quickly. If the boots too tight, it is uncomfortable and unsightly bulges formed rapidly at the points where the boots suppressed. Let persuade themselves as nothing, and now you do not boot, it will not fit her well from the beginning, so at no point strongly suppressed.

However, the boots may initially be a little too high (tweak in the knee) because of the boots will be reduced rapidly. Small wedges in the heel can do this at the beginning equalize.

Figure 1: lowering of the boot in about 3 months

style

In style is the procedure, with the sole and shaft of the boot are connected. In the simplest case, this is a bond (APO) which, sewn in the better case (welted best).

is generally say that stitched boots are more expensive because the process is more complex than the bond. Stitched boots usually last longer than your stuck and can form better To keep the seam there is even a little elastic.

Typically, one of riding boots under 300 € only glued soles expect.

size

The most important criterion for the stability of a boot is the size. I compare my wife's boots (size 38) with my (size 46) so I notice that neither the leather or the seam with the size become thicker (as should go ...). Even when brushing, I note that a small boot just has an intrinsically more stable than a large one. In addition, the larger boots also usually larger loads.

straight rider to "Big foot" live should therefore also prefer the more expensive "welted" boots.

leather

The most common types of leather for the shaft of the riding boots are leather and calf leather. For the lining usually pig or calf leather is used.

leather is rather stiff and firm, but also very robust and durable. Calf leather is softer and more comfortable, but also slightly more sensitive (and expensive).

suede boots for riding is not used more. It is difficult to maintain and, above all, waterproof.

zip

are increasingly riding boot with zip offered. This runs either front or rear and can range down to different extents.

zippers make much smaller incisions possible, but this is a matter of taste. In addition, of course, the on and off of the boot much easier.

zippers also have disadvantages. First, the zipper is always the first part that breaks. He is exposed to dust and dirt and mechanical stress, and it is enough for a single link fails. The repair is costly.

addition can be riding boot with zip after the fact change very difficult.

sole

Better Riding boots are available in principle with leather sole. There is the possibility of having to stick a rubber sole.

The rubber sole of course improve the water resistance and also ensures better grip. However, it also prevents the respiration and moisture loss from the sole.

The replacement of a rubber sole is easy and cheap, a leather sole to be sewn by a good cobbler. How many rides can

riding boots daily

Who should have at least 2 pairs of riding boots and also use it alternately, so that the boots, then dry it completely. This is for the durability of the boot is essential! The

daily care after each use

you have the riding boots not brush after every use completely. As long as the leather is protected by a layer of wax (shoe polish), it is not crucial for the life that you clean the boots completely after each use. But anyone who wants to show permanently shiny boots, which is recommended to clean the boots with a good damp sponge. It always use cold water so that the wax does not become detached. Then polish up briefly with the brush.
But the most important: Dry The boots after each use with a shoe and clamping shank completely.

Hard Wax

goal of nursing with shoe polish, it is always a layer of hard wax on the leather of the boot to have. This layer protects and preserves the leather by rejecting dirt and moisture. The hard wax is still breathable, and the boot is dry.

for the demands on such a hard wax should care about once every 3-6. Use are carried out. With a little experience, you can quickly assess whether there is sufficient wax layer present on the boots, or maintenance is necessary.

1. Cleaning: Before applying to the start of shoe polish should clean the boots with a rag / sponge and cold water carefully and let dry for a while.
2. application of shoe polish: The shoe polish applied with a brush and rags. Personally, I use a old socks and a toothbrush for the transition to the sole. The shoe polish should only be applied to wafer-thin.
3. be drying: leave (at least 30 minutes, or just over night) for a while now the shoe polish to dry.
   
4. polishing with the brush: with a fine (eg, goat hair) brush, polish the boots now have a high gloss.
   

The right shoe polish

to proper care is still the cream of the hard wax Tin is the best. Only this is a sustainable security layer protects the boot really. Stay away from water-based shoe polishes! First, you use a lot more from such a cream (and is thus much more expensive), and secondly has the protection is not usually long and thirdly, the layer can not polish so beautiful.
hard wax creams, there are (roughly speaking) in two grades: Use cheap gasoline as a solvent, turpentine oil more expensive. You can easily detect the smell. Terpentinölbasierte creams are better plotted and the result shines a little better. The crucial difference is in my opinion not.

<- Alles was man zur Hartwachspflege braucht: Bürste zum polieren, Socken und Zahnbürste zum auftragen. Und natürlich noch eine Schuhcreme aus der Blechdose.

Puffy White Jacket Rings

Hello world

How else could I open a blog?

Kate Playground The Whip

kunsthochzwei.com

time has come: the new website is
&
I invite you to a visit to a Best
www.kunsthochzwei.com

greetings
Kevin Schoch

Gpsphone Leaf Green Gameshark Cheats

2009

seminars, courses & training -
process-oriented art and art therapy work

individual meetings

artistic support /
art therapy private sessions
In art therapy, and artistic individual appointments may be in a protected environment all received intensive individual and on personal themes are the. New experiences can be applied in rehearsal and then transferred into everyday life. A clear awareness, confidence and the indi-vidual expression are encouraged.

for children 2-4 years
session à 6omin
6o € + € ca.1o material

for children, adolescents and adults
session à 9omin
9o + ca.15 € € Material

by appointment






weekend seminars

Action Painting Action Painting
is a direct, dynamic painting technique, known in particular by the American artist Jackson Pollock. The focus will not be on the subject, but a swift, smooth operation GE sets. Practically, this can mean, in a relatively short intervals ever new lea Tern move the brush completely free. Since casual work deliberately, Action Painting has a liberating effect that can affect all areas of life. There are no-ne artistic experience necessary.

weekend seminar for adults
visual media: abstract painting
number of participants: max. 6 Pers.
28o € + € ca.7o material
Sa.24.1. / So.25.1.
1o.oo-17.oo clock (with breaks)



Art & game -
vitality and creativity
In the seminar Art & game gives playful approaches to art, found new and creative ways and tried. It should be about, without discovering one's own expectations and pressure to perform new creative potential. Joy and lightness can be integrated with the experi-ence made here in everyday life. No prior knowledge of art-se required.

weekend seminar for adults
artistic media: drawing, painting, sculpture
number of participants: max. 6 Pers.
28o € + € ca.7o material
Sa.31.1. / So.1.2.
1o.oo-17.oo clock (with breaks)



Therapeutic felt
wool is a nice soft material, characterized in particular by the technique of wet felting by an "open" character. There must be unhindered develop-changed, which may arise. The focus should not be standing here, the production of a certain product, but the experience can be made, while some still not preordained result. No previous knowledge required.

weekend seminar for adults
visual media: felt wool, textile
number of participants: max. 6 Pers.
28o € + € ca.7o material
Sa.4.4. / So.5.4.
1o.oo-17.oo clock (with breaks)








courses


Children's Art & Art Therapy
The artistic activity offers the opportunity to to give the expression that remains operates, but unsaid - situations, feelings, needs and desires that can not find a rational expression. Content of the artistic and art therapist, frameworks, is to promote the creative potential of the child. So that it can develop freely, it is also within the group to the individual Needs and ideas of the Child, with no conscious valuation takes place. In this protected space can open up the child and his self-confidence can be strengthened. The child support will be offered for personal development - and all without pressure to perform. No artistic experience necessary.

groups of children 5-7 / 8-12 - 6x 9o min.
artistic media: drawing, painting, sculpture
number of participants: max. 5 Pers.
insg.24o € (including materials)

children (8-12 years) - Wed 11.2./18.2./4.3./11.3./18.3./25.3.
15.3o-17.oo Clock

children (5-7 years) - Wed 1o.6./17.6./24.6./1.7./8.7./15.7.
15.3o-17.oo Clock



Young Art
This course is specifically tailored to the needs of young people. You will no ordinary art class, but tips and suggestions for NEN own figures. With free, expressive painting, graffiti, new art forms such as room installation or performance art and more are experimenting here. It will be offered the opportunity to express things that otherwise remain (perhaps) un-said. Space for creativity and development is important here. Per-sonal issues and questions can thereby be expressed and clarification. No artistic experience necessary.

group for young people 13-16 years - 6 x 1o5 min.
artistic media: drawing, painting, sculpture
number of participants: max. 6 Pers.
insg.24o € + € ca.1o8 material
27.2./6.3./13.3./20.3./27.3./3.4 Fri.
14.3o-16.15 clock



Free Painting -
's own artistic process
The course free painting is about finding a new, informal approach to the subject of art, to experience even a visual process and above all the joy that it is preparing something new from their own hands to see Hen-emergence.

Course I - Fundamentals
free agent exercises is playful and casual approach to the subject of painting. Beyond pre-image patterns of the individual artistic process is stimulated.

Course II - Construction
On the basis of Class I building creates its own artistic The-ma, which develops in sketches, studies and picturesque experiments. We ar-workers and with different materials and techniques of painting.

Course III - Advanced Individual
visual approaches are being developed and the resulting issue of including a own work done on canvas. The canvas is specially manufactured under guidance. Colors may be produced from pigments.

The courses are organized to build on each other. For course I have no artistic previous knowledge required. To participate in courses II and III, the corresponding knowledge is necessary and which are taught in each previous course.

course for adults
visual media: painting
number of participants: max. 5 Pers.

course I - 6 evenings to 105 min.
24o € + € ca.1o8 material
1o.2./17.2./3.3./1o.3./17.3./24.3 Tues.
or 9.6./16.6./23.6./3o.6./7.7./14.7.
19.3o-21.15 clock

Course II - 6 evenings to 105 min.
24o € + € ca.1o8 material
31.3./7.4./21.4./28.4./5.5./12.5 Tues.
19.3o-21.15 clock

Course III - 6 evenings to 105 min.
24o € + € ca.15o material
expected Autumn / Winter 'o9

Training -
process-oriented work in the artistic medium of art therapy for therapeutic, psychological and educational staff

is decisive for the process-oriented work in the artistic-kunsttherapeuti-specific media to develop an appropriate internal attitude, carried out from the he-out man to a value-free and truly free work can be the, which in turn supports their individuation. The inner Hal-tung is crucial for determining whether a profound inner process can be made possible. The training is tailored to professionals working in the therapeutic, psychological and / or educational field, aligned. With new artistic approaches and process-oriented work as free is an expanded repertoire for practical work with people of different ages and topics given by the hand.

The training is divided into the following three interlocking modules:

first practice module
process-oriented artistic and art therapy work experience itself
reflection

second theory module
Methodology & Theory
interior attitude

third link between practice and theory
artistic processes encourage self-reflection and forward


Furthermore, it is possible for graduates of training in addition to obtain a prolonga-render technical support and reflection. No artistic experience necessary.

number of participants: max. 6 Pers.
1.32o € + € ca.24o material
Sat. / Sun. 25.4./26.4./16.5./17.5./20.6./21.6.
1o.oo-17.oo clock (with breaks)

kerstin schoch
artist
graduate art therapist (fh)

School of Art Therapy Nürtingen
- University of Applied Sciences, Hogeschool van Arnhem en D
Nijmegen, NL

vita (excerpts)

* 1983 in Heilbronn / Neckar

artistic training at the CVB at
Prof. Andreas Mayer-Brennenstuhl & Almut Glinin

Hospital at Weissenhof, Weinberg
Centre for Psychiatry, Neurology, Psychosomatic Medicine, Child and Adolescent Psychiatry - Academic Teaching Hospital of the University of Heidelberg

welfare work for Baden-Wuerttemberg,
Stuttgart

Xenion - Psychosocial support for political asylum and torture survivors eV,
Berlin

ArtSourceLab,
Berlin

independent project work and at home and abroad

own artistic work in the fields of image, object art space-related concepts





I ask for timely Registration possible until 14 days before the seminar, stating the name, address, phone number, email address, title and date of the selected event. Your place is authentic reserved upon receipt of the fee (including materials) in full - in cash or by bank transfer - on the following Account. I ask for your name and title and Ver-asylums-maintenance date of the selected seminar on the remittance slip.

Kevin Schoch
Kto 551 36 26 BLZ 600 501 01

BW-Bank

In cancellation until 7 days before the event are € 1o Stor-calculated nogebühr (as evidenced by the receipt date). At a later point in time the entire seminar fee is payable, unless there is provided a replacement.

food and drinks are not included in the seminar fee.
bring is work clothing, which may be colored (smock, apron, Pants, shoes, etc.).

I will gladly give you a personal quote for example, groups, bodies, associations, businesses, etc. Make me a call.

to answer any questions I will happy to help.




post Rebenweg 1, 68 789 St.Leon
studio & practice Erlengrund 31, 68 789 red
+49 (0) 173 18 12 807
mail@kunsthochzwei.com


of HD: 15min / car, 25min/nahverkehr
MA: 25min/pkw 35min/nahverkehr,

I can send you my offer of 2009 as a pdf file or by mail.

What Does Shoulder Pain With Ectopic Feel Like?

offers images from the day of open studios

in the art studio on the power of two 18/o1/2oo9